Episodes
Friday Feb 27, 2009
shadows at midnight
Friday Feb 27, 2009
Friday Feb 27, 2009
The inspiration for this mix came from the new Jon Hassell album. If you haven't picked it up yet, do so. It's called "Last Night the Moon Came Dropping Its Clothes in the Street". It's already in my best of 2009 folder. It's very moody, very ambient, just a little jazzy. Very much like the wonderful release from Arve Henriksen last year. I wanted this mix to have a moody, melancholy, late-night jazz feel. Although I have used some of these artists in other mixes this is the first jazz mix for Low Light mIxes. I wasn't sure what to expect when I began but it turned out fairly well. It didn't take long to put together because it's not a sound collage like the last mix. But I think the tunes flow nicely together. Sometimes sitting around with a good scotch, you need soemthing with a jazzy flavor & I hope this works for that while remaining true to the Low Light feel. Next up...an all Eno mix. T R A C K L I S T : 00:00 Arve Henriksen - Migration 05:21 The Necks - Black 10:35 Mort d'un Pourri - Valerie 13:50 Slowhill - Nikos Dream 17:59 boren & der club of gore - Midnight Walker 24:45 Jon Hassell - Courtais 29:40 Miles Davis - In a Silent Way 33:35 Nick B. Ronin - Modul 42 39:30 Duke Ellington - Melancholia 42:25 Arve Henriksen - Recording Angel 48:20 Jon Hassell - Last Night the Moon Came 58:17 Mort d'un Pourri - tout est tranquille 1:00:00 end
Tuesday Feb 17, 2009
in_transit - an ambient field mix
Tuesday Feb 17, 2009
Tuesday Feb 17, 2009
I have been wanting to do another field mix almost since the moment I finished the last one. So here it is, a new mix entitled "in_transit". I like field recordings but not as much nature recordings. I'm not wild about birds chirping & water flowing. I like mechanical sounds or crowd noise or as you'll hear in this mix, trains. I used train sounds in the last mix & they play a prominent role here too. I had planned on doing more of my own field recording but I just never seemed to find the time. I did manage to sneak two of my recordings in, one occurs at about 8:50 in the mix. It's a recording of the humming sound of telephone pole at the end of my driveway. The pole hums when it gets windy, so I just went out stuck the mic right up to the pole & froze my arse off. I then fattened up the sound a bit. The other recording is of my daughter playing piano, but you'd never guess that's what you're hearing. It happens at about the 19:10 mark. I had her play about 40 seconds of chopin or schubert. Then I used a simple little program to stretch that 40 seconds into 12 minutes & 40 seconds. The result sounds nothing like classical piano. You can find the program here...Paul's Extreme Sound Stretch. Give it a try. Works great on piano & classical music. It makes the human voice sound very creepy. Most of the other sound used in the mix are a combination of field recordings from all over the web, music & music that already has field recordings built in, like the last cut by RF. There is new music from sleepy town manufacture & unit 21, elegi, Loren Chasse & terje isungset. Two tracks used in the mix are from a cd that I got from Rick over at Hydrogen Cafe. Years ago he burned some ambient background sounds from Blade Runner. At the 6:20 mark we get ambience from the Tyrell Coporation & at about 23:50 we hear sounds from Blade Runner Chinatown. I'll definitely be using more of these in future field mixes. Well I guess that's enough for now. I'm not making a tracklist as the cuts are playing all over each other, many times 2 or 3 at the same time. If you are curious about certain sounds or tracks just email or comment with the time in question & I'll do my best to get info back to you. Enjoy the trip!