Favorite Ambient Tracks Of All Time

April 26th, 2014

proxy?url=http%3A%2F%2F1.bp.blogspot.com


I've already done a "Favorite Ambient Albums" mix and a "Favorite Ambient Artists" mix so it makes sense that there would eventually be a "Favorite Ambient Tracks" mix.  And here it is.


Ambient music is definitely not a song based genre.  I like to remember works as a whole or an artist's work as a whole.  There are artists that I absolutely love but can't name more than a handful of specific tunes.  So it sort of goes against form to make a list of fav ambient tracks.  That being said, when I sat down to make a list there were a few cuts that I immediately knew I wanted in the mix, like Structures From Silence.


This is a looong mix, clocking in at 2 hours and 9 minutes.  I wanted to let some of the longer tracks breathe, even if I couldn't play the entire 28 minutes of Structures.


Here's a few thoughts on the tunes that made the cut...


The first track in the mix is a beautiful watery tune, Submarine Poetry, from krill.minima.  I used this one as the first cut in my first "sea" mix and every time I play that mix I marvel at how perfect this tune is.


Next up is Lantern Marsh by Brian Eno.  I could have filled this entire mix with Eno favorites but I had to try and limit myself somehow.  I love On Land and this cut pretty much sums up that wonderful album for me.


Track number three is Lear by Stuart Dempster, Panaiotis and Pauline Oliveros.  I'm curious as to how widely known the album Deep Listening is.  This is not classic Eno or Roach ambient.  The recording took place inside a huge cistern which is responsible for its tremendous reverb.  The unusual instruments of accordion, trombone, didgeridoo and voice use the acoustics of the cistern to create long sustained drones.  The effect is hypnotic & beautiful.


The fourth cut is the previously mentioned Steve Roach track, Structures From Silence.  A lot of ambient music doesn't really have a recognizable melody but this song is about as close as you'll get.  I've been listening to this one for a loooooong time and never seem to tire of it.


Next is Peter Gabriel's The Nest That Sailed The Sky from the Ovo album.  The album is pretty hit and miss but this tune is gorgeous.


Another Eno tune drops next and its Drift from the Apollo album.  There several cuts on this album that could make a lot of great ambient lists but I just like this song because it reminds me of the scenes it was used with in the film For All Mankind.  If you haven't seen the film do so asap!


The next cut has been a sleep time favorite for years.  It's A Smooth Surface by A Produce.  I love all the space between notes.  It doesn't really change much over the course of a long track, but that's what I love about it.


I have a special place in my ambient heart for the eighth track, Silence Speaks In Shadows, because it was recorded not far from where I live here in Wisconsin.  Paul Vnuk Jr. recorded environmental sounds near his studio in Cudahy.  Those sounds included thunderstorms, street noise, trains and even a police siren wailing in the night.  Combine those field recordings with some droney synths & you've got a great night time atmospheric piece.


The Most Beautiful Blue by Eluder is the next cut.  This is a track that I didn't realize how much I liked it until I realized that it kept showing up in mixes & playlists.  Similar to Submarine Poetry, it has that great ocean/sea feel to it that I love.


This next cut, Diamond Cove, is from a favorite artist of mine, Kyle Bobby Dunn.  It's from his album Bring Me The Head Of Kyle Bobby Dunn.  Just like Eno I could pick a bunch of KBD songs to put in this kind of mix but I settled on this one because I like its simplicity.


The KBD song segues nicely into the Olancha Farewell by Harold Budd.  I didn't know how much I loved this track until I recently heard for the first time in years.  Normally when I think of Harold Budd I think of piano but this track is just too beautiful to keep out of this mix.  It's similar in feel to the KBD song that precedes it and to Rhubarb by Aphex Twin.  Olancha Farewell is from the album Lovely Thunder.


The Marsen Jules song, Oeillet Sauvage, is similar in feel to the A Produce track from earlier in the mix.  It has lots of space in between notes, which I love.


The third Eno song in the mix shows up next.  It's 1/1 from Music for Airports.  I remember buying this on vinyl the day it was released back in 1978.  I had come to Eno through David Bowie so I knew of some of his quieter stuff on Low and Before and After Science.  But I was unprepared for the deliberate repetition and slowness of Music for Airports.  It blew me away.  This album has remained a favorite to this day.


After Eno we move on to Mark Rownd - Painting Twilight.  I hesitated to put this track in because the album as a whole treads very close to new age territory.  But I sort of fell for this album back when it was released in 1998 and it has stayed with me.  Especially the title track, Painting Twilight.  Its got that ebb and flow, breathing quality that I go for.


Next up is the classic Aphex Twin cut, Rhubarb from Selected Ambient Works, Vol.II.  I read somewhere once that this cut should be the theme song form the monolith in 2001:A Space Odyssey.


The next cut is even more Eno music, this time in the form of the Budd/Eno tune, An Echo Of Night from The Pearl.  A great atmospheric tune that would fit well on Eno's On Land.


One of my favorite ambient albums of the last ten years is Butterfly by Disturbed Earth.  First released on Atmoworks in 2012, it was originally recorded in 1977 using a Fripp-style two reel to reel set up.  I love ambient guitar in general and this one just hits the sweet spot of ambient guitar, ebb and flow, and classic sound and fell.


I'm not sure how many folks would put this next track on their best of all time lists.  If I were hearing this cut, The Path Not Taken by Thom Brennan, for the first time today I'm sure if I would like it as much as I do.  I know that part of my love for this track is wrapped in the time I discovered it back in the mid 90s when tribal ambient was a big deal.  I've pretty much stepped away from the tribal stuff now, but this track still gets me every time.


We reach the end of this epic mix with Fripp & Eno - Evening Star, the title track from Evening Star.  I know, more Eno.  But I couldn't resist this one.  Beautiful cut, perfect end for a favorite mix.


Wow!  That's easily the most I've ever written for a mix post.  Hope that didn't bore you to death.  I wasn't planning on a track by track essay but I started talking about a few and it just took off.  Anyway I hope you enjoy this mix I much as I did.



T R A C K L I S T :

  • 00:00 krill.minima - Submarine Poetry
  • 07:25 Brian Eno - Lantern Marsh
  • 11:50 Stuart Dempster & Panaiotis & Pauline Oliveros - Lear
  • 20:15 Steve Roach - Structures from Silence
  • 28:40 Peter Gabriel - The Nest That Sailed The Sky
  • 33:00 Brian Eno - Drift
  • 35:25 A Produce - A Smooth Surface(deep meditation version)
  • 46:15 Paul Vnuk - Silence Speaks in Shadows
  • 53:30 Eluder - The Most Beautiful Blue
  • 58:15 Kyle Bobby Dunn - Diamond Cove
  • 01:01:20    Harold Budd - Olancha Farewell
  • 03:20 Marsen Jules - Oeillet Sauvage
  • 09:00 Brian Eno - Music for Airports 1/1
  • 19:00 Mark Rownd - Painting Twilight
  • 24:30 Aphex Twin - Rhubarb
  • 31:00 Budd & Eno - An Echo of Night
  • 33:05 Disturbed Earth - Butterfly
  • 45:30 Thom Brennan - The Path Not Taken
  • 02:01:30    Fripp & Eno - Evening Star
  • 02:08:54    end

00:0000:00

Sunday Morning Music Vol. 8 - slow mornings

April 6th, 2014

proxy?url=http%3A%2F%2F3.bp.blogspot.com

Grab a cup of coffee and the paper with this mix as your Sunday soundtrack.


This iteration of the Sunday morning series uses mostly new music including a couple of great Bob Dylan covers from Sarah Jarosz and Phosphorescent.  I couldn't resist starting the mix with the wonderful "Morning" from Beck's new release.


From there we move on to a beautiful, jazzy track from Philémon Chante that I have been itching to use for a while.  That cut is from his album called Les Sessions Cubaines which you can find on Bandcamp here...Philémon Chante


There a couple soundtracks represented in the mix from two of the best films of 2013, "Her" and "Nebraska."  Arcade Fire and Owen Pallett collaborated for the "Her" soundtrack, with two cuts in this mix.  Mark Orton did the beautifully simple soundtrack for "Nebraska" and it shows up here in the track "The Old Compressor Escape."  I've got an Americana mix waiting in the wings which will have more from that soundtrack.


One of my other favs is the cut from Bill Callahan.  He remixed his 2013 album, "Dream River," as a dub album called "Have Fun With God."  It's fantastic!


Enjoy.



T R A C K L I S T :


  • 00:00 Beck - Morning
  • 05:12 M. Ostermeier - Sunlight on My Desk
  • 07:55 Sam Prekop - A Cloud to the Back
  • 11:30 Philémon Chante - J'arrive toujours un peu trop tard
  • 15:40 Sarah Jarosz - Simple Twist of Fate
  • 20:20 Mark Orton - The Old Compressor Escape
  • 22:50 Thievery Corporation - le coeur (feat lou lou ghelichkhani)
  • 25:45 Assia Cunego - Canto Ostinato Section 25-30
  • 29:00 Segue - slow mornings
  • 34:00 Bill Callahan - Small Dub
  • 37:45 Arcade Fire and Owen Pallett - Dimensions
  • 40:34 Darcy James Argue's Secret Society - An Invitation
  • 43:08 Nick Cave - Into My Arms
  • 47:17 Phosphorescent - Tomorrow is a Long Time
  • 51:30 Paul Buchanan - Mid Air
  • 53:45 Arcade Fire and Owen Pallett - We're All Leaving
  • 56:17 end

00:0000:00